Pile | Year |
---|---|
Techno-Asemic Cable Poems | 2021 |
Give me a P, … | 2021 |
Ephemera Collection | 2021 |
Astrid Seme: Kerning to Speech | 2021 |
Fragile | 2021 |
How to pronounce … | 2020 |
Workspace | 2020 |
Triptych: Laurenz Feinig for Otmar Burtscher | 2020 |
Foundry Ephemera | 2020 |
Ivar Orvedal «Per Spelmanns Comeback» | 2020 |
Ivar Orvedal «Postreptilia» | 2020 |
Compagnie: Astrid Seme for Fabian Fink | 2020 |
Custom Type, Logotype and Emblem for «Vinmonopolet» | 2020 |
Emil Ploquin | 2020 |
.notdef Collection | 2019 |
Custom Typeface and Logotype for «Hamran» | 2019 |
Custom Type for «Aurlands» | 2018 |
Akershus Social-Demokrat | 2017 |
Custom Lettering «EDDA» | 2017 |
Logotype for Spartacus Forlag | 2014 |
Dichtung, as in Poetry | 2012 |
Die Neue Typographie | 1925 |
Das Ich und das Es | 1923 |
Jedermann sein eigner Fussball | 1919 |
Harry Houdini (1874-1926) | 1914 |
606–614 Sansom Street | 1885 |
Combination Book Border | 1879 |
Tristram Shandy ╳ @drawbotapp | 1767 |
Pytographic Spirit Animals | 1565 |